welcome to the captains log. this contains little experiments and explorations for my second semesters artwork.

may contain words of frustration, rants, and other abnormalities.


Don't take it too seriously.

the posts from may and before that are to be ignored for this assessment :) ---------> click on that picture for the research

Wednesday, October 28, 2009

Presentation ideas/will nothing work/i'm getting a cold/ more interested in making penis pictures on photoshop

hello. amanda bought UHU branded 'gel' glue, @ $6.50 which was $4.70 more expensive than previous glues that have been troublesome and too sticky and stick fingers hair table glue bottle needles to each other. This went all bubbly and i don't like it!!! ruined! expletives! not too worry i'll still wear it slash boo. see below what i have included amongst my objects if your eyes can strain that far into the pixel world. i included plain old hairballs because i have always liked the form they take, the way they remember that they are mine and therefore curly, defiant and impossibly knotted. I really want to use all of the hair i have, it's important but I don't know why yet :)
I like how they look in a very un-x-tina random way on the wall, they become more of an installation than something that's not. Fuck it I'm tired and not in the most loquacious of moods. The threads of hair are more part of the work this way because everything is on the wall. Paintings are put on walls. Art is put on walls. Craft is not put on walls. up is art. horizontal is other shit. up-phallic-you-know-the-story. don't argue with me.Ok so it is necessary to view my objects through magnifying glasses otherwise you can see none of the detail. How to fix these to a wall is the problem. I decided having things on a desk would be too.. well the desk would be intrusive and detract from the subtlety of the work. One idea was fitting them to perspex rods and sticking these into the wall. Acrylic rods are expensive, $42.95 for a 10mm length of 2m, and they only come in 2m lengths so there's too much money on something i think is not worth it. They would be quite chunky too and interfere with the tiny delicate objects of wonder.
IMHO <--- new wordy
This is imperfect and needs to be sanded again so i can get resin headaches and sanded-off ends of fingers that can't fing any more as a consequence. wet dry wet dry pretty smoothy paper of sand.

Tuesday, October 6, 2009

Presentation ideas


I just bought the jewellery box on trademe, unsure if i will use it but i want to try out a few of the ideas that have been buzzing around in my head. The table above is a PRIME! it transforms into a sewing machine desk thing which is highly appropriate, dont know how much it will sell for but it would be nice to have my work on. I want my display to be wooden, yellowy, comfy looking yet antiquey... get me? Imagine my desk when i'm 80 years old and that is what my exhibition will look like, a personal work space that has a museum feel because its all fragile and old but still looks inviting to touch and personal. yeah. I'm going to study english next year.


Cool little magnifying glass^^ i am enjoying the little edward clippy hands on either side of it which will be prime for holding on to little hairy things. yaaaaayges ago i considered making lots of little objects and displaying them in a 'shadow box' like the one above. Granny Cush has one with all sorts of things in it like porcelain figurines, plastic and tin toys, mercury in a little bottle (my favourite), china shoes, lots of little oddities. I think her little shelves were formerly used to house printing blocks?? anyway they're way cooler than that one^

I have been trawling the internet trying to find magnifying glasses and lenses to present my works underneath. I'm yet to even really think about the lighting which will be a bitch.
I've found a lot of things that i think would suit my works for presenting them in or on top of, little wooden jewellery boxes, old library card catalogues, desks, etc. I really want a sort of museum aesthetic, but not so removed from the audience. The above video is a nice way of viewing the crafted object, travelling through the hair tunnel to get to it. I want the audience to get that feeling of abjection and the messy hair tunnel does this, leading to the fascinating obsessive object that is the crafted hair. The microscopic view moving around and through the object is very visceral, the circular framing of the tunnel is like Mona Hatoum's 'corps etranger', somehow more bodily... like wee hole. holey hole hole.